Blewitt, Sheldon Kahn. Distributed By: Columbia Pictures. Release Date(s): June 8, 1. Ghostbusters (also known as . The film was released in the United States on June 8, 1. It was produced and directed by Ivan Reitman and stars Bill Murray, Dan Aykroyd, Harold Ramis, Rick Moranis, Sigourney Weaver, Annie Potts, and Ernie Hudson. It is the first Ghostbusters related material that fits in both the Ghostbusters Wiki: Ghostbusters Movie Canon, and the Ghostbusters Wiki: Ghostbusters Animated Canon and is the starting of the Ghostbusters Franchise. Egon Spengler (Harold Ramis), Dr. Raymond Stantz (Dan Aykroyd), and Dr. Peter Venkman (Bill Murray), find themselves looking for work after Columbia University terminates their grant. Indian cuisine encompasses a wide variety of regional and traditional cuisines native to India. Given the range of diversity in soil type, climate, culture, ethnic. Ayurveda Research Papers (CCA Student papers) The selected papers published on our website have been written by students of the California College of Ayurveda as a. LAST UPDATED: APRIL 5, 2017. Below is a list of Christian rock/metal merchandise I have for sale (vinyl albums, cassettes, CDs. Questions and Answers from the Community. The page that you see when you ask a new question is the page that everyone will see. Archives and past articles from the Philadelphia Inquirer, Philadelphia Daily News, and Philly.com. Return to Transcripts main page. ANDERSON COOPER 360 DEGREES. Note: This page is continually updated as new transcripts become available. If you cannot find a. This is The Indie Story Week # 03 They start an business named . Dana Barrett (Sigourney Weaver) of 5. Central Park West, comes to the Ghostbusters and asks for their help after she experiences some horror in the kitchen of her own home. The Ghostbusters do a few tests to determine that she isn't crazy as she recounts a paranormal experience in her kitchen centering around the name . Peter seizes the opportunity to get romantically closer to Dana, and goes with her to the apartment. Using the Ghost Sniffer he checks out the place, finds nothing in the main room, and bedroom. Dana then directs him toward the kitchen where he finds eggs that cooked themselves on the counter, but gets no readings on the Ghost Sniffer despite using it correctly. Janine gets a call with a serious client, and she rings the alarm bell. The Ghostbusters run and get dressed, then leave in the Ecto- 1. They show up at the Sedgewick Hotel and the Hotel manager tells them that they are having problems with a resident ghost. Following a successful test of the equipment, they split up to search the hotel for the ghost. Peter finds the ghost which then slimes him. Egon calls Ray to tell him that the ghost is now in a ballroom. They enter the ballroom and as they attempt to capture it, they destroy the room and make a lot of noise. They ultimately manage to capture the ghost, and they find themselves an overnight success across both New York City and the nation. As the amount of calls grows, the team is required to hire a fourth member, Winston Zeddemore (Ernie Hudson). An unwanted side effect of their new found popularity produces Walter Peck (William Atherton) from the Environmental Protection Agency. He comes to the firehouse trying to inspect the Storage facility which Peter refuses to let him do. After she hangs up,she gets grabbed by claws that burst out of her chair. She is taken in to the kitchen where she becomes possessed by Zuul. Meanwhile, Louis Tully (Rick Moranis), another resident of the apartments, is hosting a party for the fourth anniversary of him becoming an accountant, when a dog (also described as a bear and a cougar - but really a Terror Dog) attacks, and chases him out of the building and to a restaurant where it possesses him. He quickly realizes that she has been possessed by Zuul, the Gatekeeper of Gozer. Changed radically by her possession, Dana aggressively tries to seduce him but ends up growling fiercely and levitating above her bed in frustration after he repeatedly rejects her advances. He harasses locals until finding a carriage horse and confusing it with the Gatekeeper. When the coachman questions him, Louis responds by angrily flaring his eyes red and growling at the man. Later, the cops bring Louis to the Firehouse and ask Egon if he'd take him, as he is exhibiting strange behavior. Egon recognizes that Louis is possessed. Peter later calls Egon to tell him about Dana being possessed by Zuul, aka the . The explosion of supernatural energy causes Zuul to awake in her bed and allows Vinz Clortho to escape and make his way back to 5. Central Park West where they unite inside Dana's apartment with a passionate kiss. Peck orders the Ghostbusters arrested while the ghosts create panic across the city. While waiting in jail, the team recognizes that Dana's apartment building was a huge super- conductive antenna, designed and built expressly for the purpose of pulling in and concentrating spiritual turbulence. The mayor (David Margulies) orders the release of the Ghostbusters from jail. He has a conversation with the Ghostbusters about the events while Peck tries to counter- attack their story. In the end of the discussion, Peter wins over the mayor's judgment allowing them to get to work to prevent the potential catastrophe overriding Peck's demands. They are too late to prevent the possessed Dana and Louis from completing the ritual for the coming of Gozer. Today we are the market leader and one of the largest independent transporters and. When the Ghostbusters reach the hidden part of the building, the possessed Dana and Louis open a dimensional gate at the top of the building and are transformed into the Terror Dog forms of their possessors. They then take their positions beside Gozer's Temple as the Ghostbusters stare in shock. When Gozer (Slavitza Jovan) emerges in a female humanoid form, the team tries to shoot her with their packs, but fail to harm her. Gozer disappears and tells them to select the next form it will take, and though the team tries to empty their minds, Ray is unable to. Ray thinks about the most innocent thing he could imagine: the Stay Puft Marshmallow Man. The team finds that a giant version of the marshmallow mascot has begun to lay waste to the city as it makes its way to the apartments and starts climbing the building. Egon realizes that the only way to end the destruction is to reverse the particle flow through the gate by crossing the streams, resulting in . The plan is risky at best, but there is definitely a very slim chance of their survival. As the giant creature reaches the top of the building, the team executes Egon's plan, causing the gate to seal itself, creating an explosion and burning the Stay Puft Marshmallow Man away into large amounts of liquid marshmallow fluff. The Ghostbusters find that they have all survived, and that Dana and Louis have returned to their normal, unpossessed, human forms. The team is cheered on by the vast population of New York City as they leave the building and drive away. The original story as written by Aykroyd . In that version a group of Ghostbusters would travel through time, space and other dimensions taking on huge ghosts. On March 5, 1. 98. Venkman's lines, Aykroyd heard Belushi had passed away. Murray responded favorably to the script's concept so Aykroyd took it to Ivan Reitman. Still, Reitman did like the comic attitude contrasted with a serious script. The finished script was around 1. He submitted the final script to Reitman along with concept drawings by artist friend John Daveikis and a videotape of himself wearing a jumpsuit based uniform and makeshift nutrona wands and a Proton Pack fashioned from styrofoam and old radio parts. At the time, several of Reitman's projects were stalled in various stages of development. Eager to get something into production, Reitman took another look. Reitman got a laugh out of the concept, equipment, car and logo but had reservations about the fantasy elements. He had a lunch meeting with Aykroyd at Art's Delicatessen in May 1. At the time, Reitman and Ramis had offices there. Ramis happened to be reading one of Aykroyd's other scripts, one about the Canadian Mounted Police. Aykroyd told him to put it aside and take a look at his Ghostbusters script. After about 2. 0 minutes, Ramis was in. Price liked it and asked about the budget. Without a final script and knowledge of such a movie, Reitman pulled a number out thin air since his last movie was $1. Price advised him to keep the budget in the mid- $2. Reitman 1. 3 months to make a summer tentpole movie for 1. The main thrust of the draft was to come up with a new story that made sense to Aykroyd, Ramis and Reitman. Aldredge, and editor Sheldon Kahn. With input from Edlund and De. Cuir, the budget was adjusted from $2. They settled on how the main characters would start out and where they would end up but the fine details still needed to be worked out. In terms of pacing, the movie didn't taking off until the hotel around page 4. They investigated a coverted farmhouse where a family was being bothered with incessant knocking. After watching a diet cola commercal, the alien and her compatriot transforms into a beautiful female human and a heavy set male human. Peter and Zuul go to a restaurant. Zuul sees woman taking their wraps off and attempts to take her blouse off. After leaving a restaurant, Zuul takes pity on a carriage horse and kisses it with genuine emotion, leaving the driver concerned. Peter takes Zuul to the Times Square Motor Hotel. The next morning, he wakes up to find Zuul has taken on a warthog form. When the Containment Unit releases the ghosts, they descend upon a subway station and hover over the tracks then hitch a ride on the express train to uptown. Egon concluded a small community in northern New Jersey was the likely epicenter of major psychic activity. The reason was its proximity to three nuclear power plants and chemical waste storage areas. Aykroyd was living there at the time and work took place in his basement with an old Royal electric typewriter. Egon demonstrated his prototype equipment but after it was plugged into an AC outlet, the Firehouse and Manhattan suffers a black out. Reitman also felt the movie could use another good guy coming in and joining the Ghostbusters. Ghostbusters became a highly successful multinational corporation named Ghostbusters International. Peter and Dana moved in together. Egon and Janine got married. Ray returned to Fort Detmerring for another visit from its resident female ghost. The July rewrite was constantly rewritten, re- edited and re- commented on. Aykroyd, Ramis, and Reitman left on July 1. As rewrites continued, Reitman started auditions. The artists were supervised by Michael Gross. Hundreds of concepts were conceived. Reitman did a simple mix- and- match to come up with the best assortment of designs. The History of Hypnosis. The history of hypnosis is full of contradictions. On the one hand, a history of hypnosis is a bit like a history of breathing. Like breathing, hypnosis is an inherent and universal trait, shared and experienced by all human beings since the dawn of time. On the other hand, it’s only in the last few decades that we’ve come to realise that! Hypnosis itself hasn’t changed for millennia, but our understanding of it and our ability to control it has changed quite profoundly. The history of hypnosis, then, is really the history of this change in perception. In the 2. 1st century, there are still those who see hypnosis as some form of occult power. Those who believe that hypnosis can be used to perform miracles or control minds are, of course, simply sharing the consensus view that prevailed for centuries. Recorded history is full of tantalising glimpses of rituals and practices that look very much like hypnosis from a modern perspective, from the “healing passes” of the Hindu Vedas to magical texts from ancient Egypt. These practices tend to be for magical or religious purposes, such as divination or communicating with gods and spirits. It’s important to remember, however, that what we see as occultism was the scientific establishment of its day, with exactly the same purpose as modern science – curing human ills and increasing knowledge. From a Western point of view, the decisive moment in the history of hypnosis occurred in the 1. Century (coinciding with the Enlightenment and the Age of Reason). The work of Franz Mesmer, amongst others, can be seen as both the last flourish of “occult” hypnosis and the first flourish of the “scientific” viewpoint. Mesmer was the first to propose a rational basis for the effects of hypnosis. Although we now know that his notion of “animal magnetism”, transferred from healer to patient through a mysterious etheric fluid, is hopelessly wrong, it was firmly based on scientific ideas current at the time, in particular Isaac Newton’s theories of gravitation. Mesmer was also the first to develop a consistent method for hypnosis, which was passed on to and developed by his followers. It was still a very ritualistic practice. Mesmer himself, for instance, liked to perform mass inductions by having his patients linked together by a rope, along which his “animal magnetism” could pass. He was also fond of dressing up in a cloak and playing ethereal music on the glass harmonica whilst this was happening. The popular image of the hypnotist as a charismatic and mystical figure can be firmly dated to this time. Inevitably, these magical trappings led to Mesmer’s downfall, and for a long time, hypnotism was a dangerous interest to have for anybody looking for a mainstream career. Nevertheless, the stubborn fact remained that hypnosis worked, and the 1. Century is characterised by individuals seeking to understand and apply its effects. Surgeons and physicians like John Elliotson and James Esdaille pioneered its use in the medical field, risking their reputation to do so, whilst researchers like James Braid began to peel away the obscuring layers of mesmerism, revealing the physical and biological truths at the heart of the phenomenon. Thanks to their persistence and efforts, by the end of the century hypnosis was accepted as a valid clinical technique, studied and applied in the great universities and hospitals of the day. This trend continued into the 2. Century, although in some ways, hypnosis became imprisoned by its own respectability, as it became mired in endless academic debate about “state” or “non- state”. This conundrum – does hypnosis have a real, physical basis, or not? Important shifts were happening elsewhere, however. First of all, the centre of hypnotic gravity moved from Europe to America, where all the most significant breakthroughs of the 2. Secondly, hypnosis became a popular phenomenon, something that was increasingly available to the layman, outside of the laboratory or clinic. At the same time, the style of hypnosis changed, from a direct instruction issued by an authoritarian figure (a legacy of the charismatic mesmerist) to a more indirect and permissive style of trance induction, based on subtly persuasive language patterns. This was largely due to the work of therapists such as Milton H. Erickson. More importantly, perhaps, hypnosis became increasingly practical, and regarded as a useful tool for easing psychological distress and bringing about profound change in a variety of situations. This theme has continued up to the present day. Advances in neurological science and brain imaging, together with the work of British psychologists Joe Griffin and Ivan Tyrrell who linked hypnosis to the Rapid Eye Movement (REM), have also helped to resolve the “state/non- state” debate, bringing hypnosis and hypnotic trance firmly into the realm of everyday experience. At the same time, the nature of “ordinary” consciousness is better understood as a series of trance states that we go into and out of all the time. The history of hypnosis, then, is like the search for something that was in plain view all along, and we can now see it for what it is – a universal phenomenon that’s an inextricable part of being human. The future of hypnosis will be to fully realise the incredible potential of our natural hypnotic abilities. Music, TV & radio, books, film, art, dance & photography. We've noticed you're adblocking. We rely on advertising to help fund our award- winning journalism. 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